Mahalia Jackson
Acoustic Guitar Masters
Historical
Science
Pop
1950s
Gospel/Spiritual
Rap/Hip-Hop
Comedy
Reggae
Folk
Zydeco
TV/Movies/Shows
Soul/Funk/R&B
The Daily Music Break will offer a page of links on various forms of music during 2013.
To kick it off, here is a basic overview of bluegrass music — courtesy of Wikipedia — and five additional links:
Bluegrass music is a form of American roots music, and a sub-genre of country music. Bluegrass was inspired by the music of Appalachia.[1] It has mixed roots in Scottish, Irish and English[2] traditional music, and also later influenced by the music of African-Americans[3] through incorporation of jazz elements.
Immigrants from the United Kingdom and Ireland arrived in Appalachia in the 18th century, and brought with them the musical traditions of their homelands. These traditions consisted primarily of English and Scottish ballads&—which were essentially unaccompanied narrative—and dance music, such as Irish reels, which were accompanied by a fiddle.[4] Many older Bluegrass songs come directly from the British Isles. Several Appalachian Bluegrass ballads, such as Pretty Saro,Barbara Allen, Cuckoo Bird and House Carpenter, come from England and preserve the English ballad tradition both melodically and lyrically.[5] Others, such as The Twa Sisters, also come from England; however, the lyrics are about Ireland.[6]Some Bluegrass fiddle songs popular in Appalachia, such as “Leather Britches”, and “Pretty Polly“, have Scottish roots.[7] The dance tune Cumberland Gap may be derived from the tune that accompanies the Scottish ballad Bonnie George Campbell.[8] Other songs have different names in different places; for instance in England there is an old ballad known as “A Brisk Young Sailor Courted Me“, but exactly the same song in North American Bluegrass is known as “I Wish My Baby Was Born”.[9] (Continue Reading…)
Here is Bill Monroe – the Father of Bluegrass Music – performing Uncle Pen.
Bill Monroe (1911-1996) is known as the Father of Bluegrass Music. His very nice site offers a tremendous amount of information. Here is the beginning of a piece that creates a nice bit of context around this important figure in American music:
Country music has been examined by many authors, both in print and on the Internet, trying to explain it in intellectual terms – often with bewildering confusion. And the part of country music that has been analyzed the most is bluegrass. This is surprising since it is its pure simplicity, accompanied by outstanding musicians, which has attracted such a large audience to bluegrass. Bill Monroe, the Father of Bluegrass Music, explained it this way: “To me bluegrass is really THE country music. It was meant for country people.” Therefore, it is surprising that bluegrass gained strong support in urban areas at a time when the trend was to popularize country music. It took a proud, stubborn man like Bill Monroe to resist the pop tide and make bluegrass what it is today. Continue Reading…
Here is more a bio at AllMusic, written by Steven Thomas Erlewine:
Bill Monroe is the father of bluegrass. He invented the style, invented the name, and for the great majority of the 20th century, embodied the art form. Beginning with his Blue Grass Boys in the ’40s,Monroe defined a hard-edged style of country that emphasized instrumental virtuosity, close vocal harmonies, and a fast, driving tempo. The musical genre took its name from the Blue Grass Boys, andMonroe‘s music forever has defined the sound of classical bluegrass — a five-piece acoustic string band, playing precisely and rapidly, switching solos and singing in a plaintive, high lonesome voice. Not only did he invent the very sound of the music, Monroe was the mentor for several generations of musicians. Over the years, Monroe‘s band hosted all of the major bluegrass artists of the ’50s and ’60s, including Flatt & Scruggs, Reno & Smiley, Vassar Clements, Carter Stanley, and Mac Wiseman. Though the lineup of the Blue Grass Boys changed over the years, Monroe always remained devoted to bluegrass in its purest form. Continue Reading…
There is an old joke about a musician who dies and goes to heaven. He sees a man sitting on a cloud playing mandolin and remarks to Saint Peter that it’s nice to see Bill Monroe again. “Actually, that’s God,” Saint Peter says. “Every once in a while he likes to make believe he’s Bill Monroe.”
Above is Rawhide and below is Sally Goodwin (with Doc Watson). Here are some great clips linked to from Monroe’s site.
The Shelby Bottom String Band was nice enough to send me information on the band and some links. Here is some of what they say about themselves:
The band has made its mark by playing quirky, acoustic Americana from the mythical “dusty back roads of East Nashville.” The SBSB repertoire is literate, off beat, humorous, and gritty. “Formidable” is the word Jack Silverman used to describe this six-piece band of seasoned musicians in a Critic’s Pick in the Nashville Scene.
SBSB played the Ryman in October 2010 as a top 10 Silver Stars Finalist (out of 150 acts who auditioned). The band has appeared on “Live in Studio C” on Nashville Public Radio and has played a number of festivals including Southern Festival of Books, Hot Chicken Festival, the Tomato Art Festival, as well as many clubs in the middle Tennessee area. Two SBSB originals, East Nashville Rag and Don’t Blow Up The Mountain, are popular YouTube videos.
The band’s upcoming CD, East Nashville Rag, is scheduled to be released in September. The band members are Michael August (guitar & lead vocals), Gene Bush (dobro, & vocals), Nell Levin (fiddle & vocals), Bob Mason (mandolin & vocals), Barry Tashian (percussion) and Holly Tashian.
Here are Don’t Blow Up the Mountain and Stewed Cucumbers. The band is on Facebook and ReverbNation.
Alison Krauss’ version of this traditional was recorded for the movie O Brother, Where Art Thou?, which was released in 2000. The great photos were added by a church in Alaska, according to the notes at YouTube.
All that you can really say is that Alison Krauss is special. Her bio suggests she’s been that way since she was a kid. Other songs — one is just better than the next — include covers of The Foundations’ Baby, Now that I’ve Found You, Simon and Garfunkel’s The Boxer and Little Feat’s Oh, Atlanta. Krauss teamed with Bonnie Raitt on the latter’s Papa Come Quick.
The instrumental Cluck Old Hen doesn’t seem to be the Taj Mahal song of the same name. In an unlikely collaboration, Krauss teamed last year with Robert Plant. Here is When the Levee Breaks.
Yahoo! writer Jenny Tolley highlights what she feels are Alison Krauss and Union Station’s top ten songs. The band is on tour in Europe and then the United States through the summer.
This is the index of music that has appeared at The Daily Music Break.
AC/DC: Dirty Deeds Done Dirt Cheap/Highway to Hell Alabama Shakes: I Found You Luther Allison: Livin’ in the House of the Blues/Soul Fixin’ Man The Allman Brothers Band: In Memory of Elizabeth Reed Alpine Kat: Large Hadron Rap Herb Alpert: Spanish Flea Amsterdam Klezmer Band: Op een Goppe/A Chassid in Amsterdam Leroy Anderson: The Syncopated Clock Louis Armstrong Burt Bacharach/Dionne Warwick Medley LaVern Baker: Jim Dandy Got Married/Playing the Game of Love Count Basie: Whirly Bird Black 47: Funky Céilí Jeff Beck/Imelda May: Remember (Walking in the Sand) Chuck Berry: Maybellene The Blasters: American Music The Blind Boys of Alabama: Run On Blockhead: None Shall Pass Booker T. and the MGs (including Donald “Duck” Dunn): Green Onions Victor Borge: Hungarian Rhapsody No. 2 David Bromberg: Summer Wages/I Will Not Be Your Fool Lonnie Brooks: You’re Usin’ Me “The Original” Bessie Brown: Song from a Cotton Field/St. Louis Blues Clifford Brown: Oh, Lady Be Good James Brown: Night Train Ray Brown: Lady Be Good Dave Brubeck: Take Five/Blue Rondo à la Turk R.L. Burnside: When My First Wife Left Me/Jumper on the Line The Cadillacs: Speedoo Cage the Elephant: Ain’t No Rest for the Wicked JJ Cale: Devil in Disguise/After Midnight/Call Me the Breeze Maria Callas: Tosca Benny Carter: Misty/Wave The Carter Family: Cannonball Blues Johnny Cash: Cocaine Blues Harry Chapin: Sniper Ray Charles: Hit the Road Jack Charlie Christian at Minton’s Oscar “Papa” Celestin: Marie Laveau/Oh! Didn’t He Ramble The Clancy Brothers: Finnegan’s Wake Gary Clark Jr.: Bright Lights The Clash: The Magnificent Seven Patsy Cline: Crazy George M. Cohan: Over There Leonard Cohen: Everybody Knows Nat King Cole: Route 66 John Coltrane: Naima Ry Cooder: Jesus on the Mainline
Elizabeth Cotten: Freight Train
Bobby Darin: Splish Splash
Howard DaSilva, Tom Bosley: Little Tin Box
Rev. Gary Davis: Death Don’t Have No Mercy
Miles Davis: Autumn Leaves
Deodato: Also Sprach Zarathustra/Rhapsody in Blue
Bo Diddley: Road Runner
Dire Straits: Skateaway
Lee Dorsey: Working in the Coal Line/Ya Ya
Duke Ellington, Dr. Billy Taylor, Willie “The Lion” Smith: Perdido
Richard Feynman Talks About Light
Ella Fitzgerald: Mack the Knife
Ella Fitzgerald: The Man I Love
Flogging Molly: Don’t Shut ‘Em Down
Blaze Foley: Clay Pigeons
Georgia Field Hands: Mary Don’t You Weep
Gladys Knight & the Pips: Midnight Train to Georgia/I Heard It Through the Grapevine
Benny Goodman: Moonglow
Dexter Gordon: Body and Soul
Al Green: Jesus is Waiting
Emmylou Harris: Pancho and Lefty/Blue Kentucky Girl
Coleman Hawkins: Jumpin’ With Symphony Sid
Alison Krauss: Down to the River to Pray
The Leningrad Cowboys and The Red Army Choir: Sweet Home Alabama
John Fahey: On the Sunny Side of the Ocean
Little Feat: Dixie Chicken
Jerry Garcia and Bob Weir: I’ve Been All Around this World
George Gershwin: Rhapsody in Blue
Dizzy Gillespie/Louis Armstrong: Umbrella Man
Benny Goodman: Moonglow
Steve Goodman: City of New Orleans/Talk Backwards
Morton Gould and his Orchestra: Aaron Copland’s Hoedown
Woody Guthrie: Hard Travelin’
Warren Haynes: Hattiesburg Hustle
Levon Helm: Ophelia
Levon Helm: Short Fat Fanny
Jimi Hendrix: Who Knows
Woody Herman: The Jazz Doctor
Richard X. Heyman: Cornerstone
John Hiatt: Slow Turning
Earl “Fatha” Hines: Memories of You
Billie Holiday: God Bless the Child/Now Baby or Never
John Lee Hooker: Boom Boom/Hobo Blues
House of Pain: Jump Around
Carlos Antonio Jobim: Águas of Março
Mahailia Jackson: Didn’t It Rain/Joshua Fit the Battle of Jericho
Wanda Jackson: Hard Headed Woman
Etta James, Mick Taylor, John Mayall: You Got Me Runnin’
Skip James: Crow Jane
Bert Jansch: Reynardine/Angie
Dr. John and Eric Clapton: St. James Infirmary
Norah Jones: Don’t Know Why
Scott Joplin’s Ragtime
Louis Jordan: Caldonia
Jethro Tull: Locomotive Breath
Anton Karas: The Third Man Theme
Albert King: Blues Power
The Kinks: Low Budget
Rahsaan Roland Kirk: Serenade to a Cuckoo
Ladysmith Black Mambazo/Paul Simon: You Can Call Me Al
Lianne La Havas: Age/Is Your Love Big Enough?
k.d. lang: The Valley/Hallelujah
Ramsey Lewis: Have Yourself a Merry Little Christmas
Gordon Lightfoot: TheWreck of the Edmund Fitzgerald
Franz Liszt: Hungarian Rhapsody No.1 and Hungarian Rhapsody No. 2
Little Eva: Let’s Turkey Trot
Los Lobos: Evangeline/Will the Wolf Survive?
Los Lobos, Jerry Garcia, Bob Weir: This Land is Your Land
Nils Lofgren: Delivery Night
Yo-Yo Ma: Elgar Cello Concerto, First Movement
Taj Mahal, Eric Bibb: Diving Duck Blues
Henry Mancini: The Pink Panther Theme
Eleni Mandell: Magic Summertime
Bob Marley and the Wailers: Stir It Up
John Mayall: Oh, Pretty Woman
Paul McCartney: Birthday
Delbert McClinton: B Movie Box Car Blues
Larry McCray: Smooth Sailing
Mississippi Fred McDowell: John Henry/Goin’ Down to the River
Modest Mouse: Dashboard
Moe.: Kyle’s Song
Thelonious Monk: Blue Monk
Bill Monroe: Rawhide/Sally Goodin
Mountain: Theme for an Imaginary Western
Mozart: Flute Concerto No.2 In D Major, K.314 First Movement (conducted by James Galway)
Charlie Musselwhite: Christo Redemptor
Willie Nelson: Blue Skies
Randy Newman: Louisiana 1927
The North Mississippi Allstars: The Meeting
Laura Nyro: Save the Country
Old Crow Medicine Show: Down Home Girl/Wagon Wheel
Charley Parker: Dexterity
Parliament Funkadelic: Bring on the Funk
Parov Stelar: Chambermaid Swing
Les Paul and Mary Ford: Alabamy Bound and Darktown Strutter’s Ball
Pinetop Perkins: Pinetop’s Boogie/Down in Mississippi
Phil Phillips: Sea of Love
Phish: What Things Seem
Porcupine Tree: Dark Matter
Cole Porter: Anything Goes
Dennis Potter: Pennies from Heaven (Anything Goes)/The Singing Detective (Dry Bones)
The Preservation Hall Jazz Band: Basin Street Blues/Tailgate Ramble
Elvis Presley: Heartbreak Hotel
The Pretenders: Brass in Pocket/My City Was Gone
Proclaimers: King of the Road
Professor Longhair: Big Chief/Tipitina
Queen: Bohemian Rhapsody
Mohammad Rafi: Jaan Pehchan
Bonnie Raitt and Alison Krauss: Papa Come Quick
The Ramones: I Wanna Be Sedated/The KKK Took My Baby Away
Red Hot Chili Peppers: Purple Stain
Jerry Reed and Chet Atkins: Mule Skinner Blues
Django Reinhardt: J’attendrai Swing
Linda Ronstadt: Blue Bayou
The Rooftop Singers: Walk Right In/Mama Don’t Allow
Run-DMC: King of Rock/Christmas in Hollis
Leon Russell: Crystal Closet Queen/Of Thee I Sing
Santana: No One to Depend On
Santigold: Disparate Youth
Arnold Schoenberg: Verklaerte Nacht
Earl Scruggs: Down the Road
Compay Segunda and The Buena Vista Social Club: Chan Chan
Pete Seeger, Bruce Springsteen: This Land is Your Land
Marlena Shaw: California Soul
The Shelby Bottom String Band: East Nashville Rag
Allan Sherman: Shake Hands with Your Uncle Max
Matt Siffert: Daybreak in Alabama and Riverside Drive
Rockin Sidney Simien: Don’t Mess with My Toot Toot
Frank Sinatra: That’s Life/I Get a Kick Out of You
The Skatalites: Phoenix City/The Guns of Navarone
Slim Dusty: Waltzing Matilda
Sly and the Family Stone: Higher
Southern Culture on the Skids: Voodoo Cadillac
Bruce Springsteen: John Henry
Steely Dan: Black Friday
Steely Dan: My Old School
The Steve Thorpe Band: Dust My Broom
Johann Strauss II: The Blue Danube Waltz
The Supremes: You Just Keep Me Hanging On
Art Tatum: Humoresque
Susan Tedeschi: Little by Little
Sonny Terry and Brownie McGhee: Walk On
Sister Rosetta Tharpe: Up Above My Head
Talking Heads: Psycho Killer
Clark Terry: Take the A Train/On the Trail
These United States: Honor Amongst Thieves
Arturo Toscanini and the NBC Symphony Orchestra: Grand Canyon Suite
Peter Tosh: Johnny B. Goode
Traffic: John Barleycorn Must Die
Trampled Under Foot: Love My Baby
Merle Travis: 16 Tons/Lost John
Big Joe Turner: Low Down Dog
Jay Ungar: Ashokan Farewell
Stevie Ray Vaughan: Texas Flood
The Ventures: Hawaii Five-O
Giuseppe Verdi: Triumphal March from Aida/La Travia
Tom Waits: Tom Traubert’s Blues/Ol ’55
T-Bone Walker: Call It Stormy Monday/Woman, You Must Be Crazy/Goin’ to Chicago Blues
Fats Waller: The Joint is Jumpin’
Doc Watson: Tennessee Stud
Ben Webster: Old Folks
Ween: Roses are Free/Big Jim
Bukka White: Poor Boy Long Way From Home
The Who: Who Are You/Substitute
Hank Williams Sr.: Jambalaya on the Bayou
Johnny and Edgar Winter and Rick Derringer: Highway 61 Revisited
Howlin’ Wolf: Sitting on Top of the World
Stevie Wonder: Superstition/Sir Duke/I Wish
Lester Young: Pennies From Heaven
Neil Young: Fork in the Road
Frank Zappa: Cosmik Debris
Warren Zevon: Excitable Boy
Doc Watson: 1923-2012
Shady Grove with David Holt
Sally Goodin with Bill Monroe
Little Sadie with Merle Watson
Banks of the Ohio with Earl Scruggs, Ricky Skaggs and Alison Krauss
Here is a great deal of background on Watson.