George M. Cohan
Virtuoso acoustic
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1950s
Gospel/Spiritual
Rap/Hip-Hop
Comedy
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TV/Movies/Shows
The Daily Music Break will offer a page of links on various forms of music during 2013.
To kick it off, here is a basic overview of bluegrass music — courtesy of Wikipedia — and five additional links:
Bluegrass music is a form of American roots music, and a sub-genre of country music. Bluegrass was inspired by the music of Appalachia.[1] It has mixed roots in Scottish, Irish and English[2] traditional music, and also later influenced by the music of African-Americans[3] through incorporation of jazz elements.
Immigrants from the United Kingdom and Ireland arrived in Appalachia in the 18th century, and brought with them the musical traditions of their homelands. These traditions consisted primarily of English and Scottish ballads&—which were essentially unaccompanied narrative—and dance music, such as Irish reels, which were accompanied by a fiddle.[4] Many older Bluegrass songs come directly from the British Isles. Several Appalachian Bluegrass ballads, such as Pretty Saro,Barbara Allen, Cuckoo Bird and House Carpenter, come from England and preserve the English ballad tradition both melodically and lyrically.[5] Others, such as The Twa Sisters, also come from England; however, the lyrics are about Ireland.[6]Some Bluegrass fiddle songs popular in Appalachia, such as “Leather Britches”, and “Pretty Polly“, have Scottish roots.[7] The dance tune Cumberland Gap may be derived from the tune that accompanies the Scottish ballad Bonnie George Campbell.[8] Other songs have different names in different places; for instance in England there is an old ballad known as “A Brisk Young Sailor Courted Me“, but exactly the same song in North American Bluegrass is known as “I Wish My Baby Was Born”.[9] (Continue Reading…)
Here is Bill Monroe – the Father of Bluegrass Music – performing Uncle Pen.
Bill Monroe (1911-1996) is known as the Father of Bluegrass Music. His very nice site offers a tremendous amount of information. Here is the beginning of a piece that creates a nice bit of context around this important figure in American music:
Country music has been examined by many authors, both in print and on the Internet, trying to explain it in intellectual terms – often with bewildering confusion. And the part of country music that has been analyzed the most is bluegrass. This is surprising since it is its pure simplicity, accompanied by outstanding musicians, which has attracted such a large audience to bluegrass. Bill Monroe, the Father of Bluegrass Music, explained it this way: “To me bluegrass is really THE country music. It was meant for country people.” Therefore, it is surprising that bluegrass gained strong support in urban areas at a time when the trend was to popularize country music. It took a proud, stubborn man like Bill Monroe to resist the pop tide and make bluegrass what it is today. Continue Reading…
Here is more a bio at AllMusic, written by Steven Thomas Erlewine:
Bill Monroe is the father of bluegrass. He invented the style, invented the name, and for the great majority of the 20th century, embodied the art form. Beginning with his Blue Grass Boys in the ’40s,Monroe defined a hard-edged style of country that emphasized instrumental virtuosity, close vocal harmonies, and a fast, driving tempo. The musical genre took its name from the Blue Grass Boys, andMonroe‘s music forever has defined the sound of classical bluegrass — a five-piece acoustic string band, playing precisely and rapidly, switching solos and singing in a plaintive, high lonesome voice. Not only did he invent the very sound of the music, Monroe was the mentor for several generations of musicians. Over the years, Monroe‘s band hosted all of the major bluegrass artists of the ’50s and ’60s, including Flatt & Scruggs, Reno & Smiley, Vassar Clements, Carter Stanley, and Mac Wiseman. Though the lineup of the Blue Grass Boys changed over the years, Monroe always remained devoted to bluegrass in its purest form. Continue Reading…
There is an old joke about a musician who dies and goes to heaven. He sees a man sitting on a cloud playing mandolin and remarks to Saint Peter that it’s nice to see Bill Monroe again. “Actually, that’s God,” Saint Peter says. “Every once in a while he likes to make believe he’s Bill Monroe.”
Above is Rawhide and below is Sally Goodwin (with Doc Watson). Here are some great clips linked to from Monroe’s site.
We noted earlier today that The Gibson Brothers won the Entertainer of the Year award from the International Bluegrass Association. Here the band plays The Band’s classic Ophelia.
The Gibson Brothers won Entertainer of the Year – which in this case was technically correct but seems syntax challenged – at the 2012 International Bluegrass Association Awards in Nashville yesterday. According to Contactmusic, the band won over The Steep Canyon Rangers, the band that Steve Martin is in.
Male vocalist of the year is Vince Gill. Guitarist Doc Watson, banjoist Earl Scruggs and actor Andy Griffith—a supporter of bluegrass—were honored. All three passed away during the past year.
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The Shelby Bottom String Band was nice enough to send me information on the band and some links. Here is some of what they say about themselves:
The band has made its mark by playing quirky, acoustic Americana from the mythical “dusty back roads of East Nashville.” The SBSB repertoire is literate, off beat, humorous, and gritty. “Formidable” is the word Jack Silverman used to describe this six-piece band of seasoned musicians in a Critic’s Pick in the Nashville Scene.
SBSB played the Ryman in October 2010 as a top 10 Silver Stars Finalist (out of 150 acts who auditioned). The band has appeared on “Live in Studio C” on Nashville Public Radio and has played a number of festivals including Southern Festival of Books, Hot Chicken Festival, the Tomato Art Festival, as well as many clubs in the middle Tennessee area. Two SBSB originals, East Nashville Rag and Don’t Blow Up The Mountain, are popular YouTube videos.
The band’s upcoming CD, East Nashville Rag, is scheduled to be released in September. The band members are Michael August (guitar & lead vocals), Gene Bush (dobro, & vocals), Nell Levin (fiddle & vocals), Bob Mason (mandolin & vocals), Barry Tashian (percussion) and Holly Tashian.
Here are Don’t Blow Up the Mountain and Stewed Cucumbers. The band is on Facebook and ReverbNation.
Los Lobos, Jerry Garcia and Bob Weir do perhaps the greatest American patriotic song. Thanks for visiting the site.
Here’s Chet Atkins doing another great American song.