I usually shy away from posting on bands or performers for whom I can’t find video. After all, seeing the acts is as much fun and illuminating as hearing them. But in the case of the Alton and Rabon Delmore — The Delmore Brothers — the absence of video is unfortunate but not a reason to skip them. They are extremely important, though not as well remembered as some other early country bands. They also are terrific.
CMT puts it well:
The Delmore Brothers are not nearly as well-known as such early country giants as the Carter Family, Jimmie Rodgers, Bob Wills, and Hank Williams. The reasons for this, upon close inspection of their work, are not readily apparent. They were one of the greatest early country harmonizers, drawing from both gospel and Appalachian folk. They were skilled songwriters, penning literally hundreds of songs, many of which have proven to be durable. Most important, they were among the few early traditional country acts to change with the times, and pioneer some of those changes. Their recordings from the latter half of the 1940s married traditional country to boogie beats and bluesy riffs. In this respect they laid a foundation for rockabilly and early rock & roll, and rate among the most important white progenitors of those forms. (Continue Reading…)
There is a very good essay at the YouTube page of the song above, I’ve Got the Deep River Blues. It was written written by a gentleman named Wilson McPhert. Read it by expanding the “show more” button. Here is how it starts:
I am a big fan of Doc Watson’s performance of ‘Deep River Blues’. In finding out about it’s origins, I came across the Delmore Brothers, who did a version in 1933 entitled ‘I’ve Got the Big River Blues’. I really like their close harmony singing and their straightforward approach to music, which morphed from rootsy country ballads to later up tempo tunes which were clearly influential on the development of rock and roll. (Continue Reading…)
Brown’s Ferry Blues, which I believe is an early number, is below.by